However, as the film progresses, it becomes clear that the line between reality and performance is becoming increasingly blurred. Deborah's behavior, which initially appears to be a result of her Alzheimer's, is gradually revealed to be a result of a supernatural force that is taking over her body. This force, which is depicted as a kind of demonic possession, causes Deborah to perform actions that are both disturbing and inexplicable.

The film's use of found footage and its portrayal of Deborah's decline create a sense of disintegration and fragmentation. Deborah's body becomes a site of struggle, as she and the supernatural force that possesses her vie for control.

The Taking of Deborah Logan employs many of the tropes associated with the found footage genre, including shaky camera work, natural lighting, and a narrative that presents itself as a documentary. However, the film also subverts these conventions in interesting ways, blurring the lines between reality and fiction.

The Taking of Deborah Logan (2014) is a found-footage horror film that tells the story of a group of filmmakers who set out to make a documentary about an Alzheimer's patient, Deborah Logan. As the story unfolds, the crew discovers that Deborah's condition is rapidly deteriorating, and she becomes increasingly erratic and violent. The film's use of found footage and its exploration of the boundaries between reality and fiction have sparked interesting discussions among scholars and horror fans alike. This paper will examine The Taking of Deborah Logan as a case study for the ways in which found-footage horror films challenge and subvert traditional notions of reality and fiction.

One of the key themes of The Taking of Deborah Logan is the performance of reality. The film's protagonist, Mia, is a film student who sets out to make a documentary about Deborah Logan, an Alzheimer's patient. As the story unfolds, Mia's crew captures Deborah's rapid decline, as well as her increasingly erratic and violent behavior.

This fragmentation of identity is a key theme of The Taking of Deborah Logan. The film challenges the audience to consider the nature of identity and the ways in which it can be fragmented and disrupted.

The Taking of Deborah Logan also explores the fragmentation of identity through Deborah's possession by a supernatural force. As the story unfolds, Deborah's personality and behavior become increasingly fragmented, as she struggles to maintain control over her own body.