“How?” Liera asked.

“This will hold for a season,” she murmured. “Long enough to cross borders, to trade names, to learn the witch’s patterns. But listen—” she tapped the seam. “It will sing when you lie or when others conspire against you. You must learn to control the tune.”

“You meddle with our art,” the witch said when Liera finally confronted her in the ruins outside the city, where the earth still tasted faintly of iron and old will. Her voice was a slow candle. Behind her, shadows shifted into pages of black leaves.

She moved toward the river. Water had a way of hearing things, of draining a curse’s leftovers if the right words were spoken over it. Liera had learnt one of those rinsing phrases in the chapel of a disgraced priest who had traded his prayers for odd favors. It didn’t break enchantments—no mortal trick could—but it smoothed their edges, made the patch’s seams lie flatter. She knelt on the bank, plunged hands into cold current, and chanted until the moon hid again and her breath came ragged and small as a trapped animal’s.

That was the thing about patched lives: they gathered the injured. Liera rose and fixed her cloak over the patch at her shoulder—the place where the seam lay like a faint, permanent bruise. The city seemed to hold its breath as they crossed the bridge, and the bells in Old Hollow tolled a single note that sounded much like a warning.

“By practice, by memory, by giving it true threads—things that belong to you.” The tailor slid a strip of linen into Liera’s hand. “Carry this next to your heart. When the curse strains for dominion, hum the stitch against it. It will recognize your tone.”

They left with a plan no map could chart: to find others with patches, to teach false tunes and false walking, to steal back pieces of their lives, and to unravel Vellindra’s design by tangling it with so many threads it could not tell which belonged to whom. It was a dangerous improvisation—equal parts sabotage, sympathy, and arithmetic—but it was theirs.